Vermillion

I awoke sometime in the middle of the night last night with the worst, most vivid and horrifying nightmare I’ve had. And it’s stuck with me all day. To ease the memory of that, I’m sliding into an ambient track from, you guessed it, Brian and Roger Eno’s 2020 collaboration, Mixing Colours. Please also checkContinue reading “Vermillion”

Organ Sonata No.4, BWV 528, II: Andante [Adagio] (Transcription for Piano)

On Sundays, I often cruise around the Deutsche Grammophon YouTube channel. It’s a label I was reasonably familiar with when I was buying a lot of records and even CDs in the 1970s and 80s. The channel has many superb pieces that I’ve posted about, like Rufus Wainwright’s “A Woman’s Face (Sonnet 20)” and someContinue reading “Organ Sonata No.4, BWV 528, II: Andante [Adagio] (Transcription for Piano)”

Wintergreen

Today there’s been light, off-and-on snowfall and some blustery winds. A good day to hang about indoors and maybe do a virtual bike ride on the trainer. Instead, after the usual morning routines dictated by Perry Como the cat, then a Zoom meditation and a meeting, then lunch, I had a snooze while my sweetyContinue reading “Wintergreen”

Flight from the City

In case you’re following here and wondering… no, today’s post isn’t a continuation of the holiday theme I mentioned yesterday. Browsing the Deutsche Grammophon record label’s YouTube channel this morning, I came across a lovely piano and string ensemble piece. “Flight from the City” is the opening track from Orphée, the tenth and final solo album byContinue reading “Flight from the City”

Concerto For Piano and Orchestra No. 2 in F Minor, Op.21, II: Larghetto

Many have probably heard piano works by Polish composer and pianist Frédéric Chopin (1810-1849, born Fryderyk Franciszek Chopin), without even knowing the music is by him. For example, the opening chords of the third movement of his Piano Sonata No. 2, known as the “Funeral March,” are often used as music to create a senseContinue reading “Concerto For Piano and Orchestra No. 2 in F Minor, Op.21, II: Larghetto”

Pour le Piano, II: Sarabande

A few weeks ago, when I was looking for a particular classical piece, I stumbled upon this piano piece by Claude Debussy (1862-1918), and it’s remained with me since. The YouTube notes for the music say, “Watch Rafał Blechacz play Debussy’s “Sarabande” from his new DG recording featuring piano works by (Karol) Szymanowski and Debussy.Continue reading “Pour le Piano, II: Sarabande”

Andante from Italian Concerto in F Major

Years ago, soon after her 1985 debut, I saw Canadian pianist Angela Hewitt with the Winnipeg Symphony Orchestra at the Centennial Concert Hall. Her playing was divine. I don’t remember which pieces were on the concert playbill, but I do recall being mesmerized by the graceful movement as her hands moved over the keyboard. It’sContinue reading “Andante from Italian Concerto in F Major”

Ultramarine

Today, I’m feeling a little low on energy. I’ve been cycling in the high heat and humidity, so am taking a couple of days off. It also has been an emotional day, attending the COVID-socially-distanced, outdoor interment service for our dear friend’s mother; she was a delightful, vibrant and kind soul who was taken tooContinue reading “Ultramarine”

Gloria: Qui Tollis

Wolfgang Amadeus Mozart’s “Grosse Messe” or “Great Mass” was a prominent part of the soundtrack for the 1988 miniseries on England’s Channel Four, A Very British Coup. The three-episode program starred the iconic (and now late) British actor Ray McAnally as the Labour Party leader, and member of Parliament for a northern England constituency suddenlyContinue reading “Gloria: Qui Tollis”

Blonde

After a busy but enjoyable few days hosting the visitors who put on our house concert, and today with the dreaded and archaic change to Daylight Savings Time, it feels like a good day for a chill piece of music. (I find “chill” is an odd way to describe something intended to promote relaxation andContinue reading “Blonde”