La carnaval des animaux, R. 125, VII: L’aquarium

The French romantic composer, pianist, organist and conductor Charles-Camille Saint-Saëns (1835-1921) wrote Le Carnaval des animaux (The Carnival of the Animals) while in a small Austrian village in 1886. The piece has 14 movements, each representing a different animal or animals. The seventh movement, “L’aquarium,” has a mystical, magical sound about it, and listening toContinue reading “La carnaval des animaux, R. 125, VII: L’aquarium”

Lips Like Sugar

Hanging back in the 1980s for a bit, here… I’ve mentioned before that a school friend of mine was in a local avant-garde/art-rock/new wave band, A New Man Celebration, in the early ’80s. I remember one of his favourite bands at the time was Echo & the Bunnymen, and I’m sure he put one ofContinue reading “Lips Like Sugar”

Les Enfants Terribles, VI: Terrible Interlude

That’s quite a title, isn’t it? I promise, the piece is far from terrible… Today, I’m featuring a relatively new release I found today on the Deutsche Grammophon YouTube channel, played by the French piano duo Katia and Marielle Labèque. “Terrible Interlude” comes from an 11-part suite for piano duet, Les Enfants Terribles. The workContinue reading “Les Enfants Terribles, VI: Terrible Interlude”

Symphony No. 1, I: Subterraneans

Two days ago, I posted a song by David Bowie (1947-2016) on the 74th anniversary of his birth. Today is the fifth anniversary of his death. On Sundays since June 2020, I’ve been posting classical music pieces. Today, I’m sharing one that has a deep connection to Bowie’s music, written by American composer and pianistContinue reading “Symphony No. 1, I: Subterraneans”

The Poet Acts (from the film, The Hours)

The first time I heard of the American composer and pianist Philip Glass was through his score for the 1982 experimental film, Koyaanisqatsi: Life Out of Balance. I remember being in the theatre, mesmerized by the movie and the paradox of simplicity in many of the scenes of slow-motion/time-lapse photography, wordlessly set against the complex,Continue reading “The Poet Acts (from the film, The Hours)”