Symphony No.7 in A major, Op.92, II: Allegretto

The second movement (Allegretto) of Symphony No. 7 by the German composer Ludwig van Beethoven (1770-1827), is a favourite of mine. The movement combines dramatic, sombre and calming melodies in a lyrical landscape of symphonic instruments. When listening to it, I prefer to hear it as a standalone piece as I find the calmness atContinue reading “Symphony No.7 in A major, Op.92, II: Allegretto”

Symphony No. 9, II: Largo

I’ve always thought when listening to the 9th symphony by Czech composer Antonin Dvořák (1841-1904), that the second movement, the largo, is so understated and unique that it almost doesn’t belong with the rest of the work.  The movement starts so simply, peacefully, and as one online reviewer comments, it says so much with soContinue reading “Symphony No. 9, II: Largo”

Violin Concerto No. 2, “Summer”

Antonio Vivaldi composed his best-known works, four violin concerti that form The Four Seasons, around 1716 or 1717. They were the first four concerti of 12 in his Opus number 8, Cimento dell’ Armonia e dell’ Inventione (The Contest Between Harmony and Invention).  Each concerto of the four is written in three movements, and the soundsContinue reading “Violin Concerto No. 2, “Summer””