Symphony No. 1, Op. 25, I: Allegro

The Soviet Russian pianist, composer and conductor Sergei Prokofiev (1891-1953) began writing his Symphony No. 1, Opus 25, also known as the Classical Symphony, in 1916, completing it in 1917. He wrote it in a classical style inspired by the works of Wolfgang Amadeus Mozart (1756-1791) and Joseph Haydn (1732-1809). Last night, my sweety andContinue reading “Symphony No. 1, Op. 25, I: Allegro”

Locus iste

Last Sunday, I posted music from Mozart’s Sinfonia Concertante, which my sweety and I had heard during a virtual concert by the Winnipeg Symphony Orchestra on a dinner and concert “date night out, at home.” I explain in that post that four members of the WSO played the sacred motet, Locus iste (Latin for “thisContinue reading “Locus iste”

Sinfonia Concertante for Violin, Viola and Orchestra, K. 364, II: Andante

Sweety and I got all dressed up and went to a concert last night! Well, sort of… We attended a special livestreamed Mothers’ Day event held by the Winnipeg Symphony Orchestra, Masterworks with Mom, from the comfort of our living room.  Conductor Daniel Raiskin was at the podium directing Sinfonia Concertante for Violin, Viola andContinue reading “Sinfonia Concertante for Violin, Viola and Orchestra, K. 364, II: Andante”

Trois Gymnopédies: No. 1, Lent et douloureux

I don’t know much about the music of French composer Erik Satie (1866-1925). But there’s one work of his I am quite familiar with, The Gymnopédies or Trois Gymnopédies, a set of three piano pieces he completed in 1888.  Many of you may know the Gymnopédies: No. 1, and if you don’t think so, listen;Continue reading “Trois Gymnopédies: No. 1, Lent et douloureux”

Good Mother

Yesterday, I shared reminiscences of my record collection and one of my favourite artists, Brian Eno. Ah, memories. As each December ends, Sweety and I look at memories we’ve made together, and with family and friends, in the past year. We also look ahead to what we would like to do in the coming twelveContinue reading “Good Mother”

Italian Concerto in F Major, BWV 971, II: Andante

Years ago, soon after her 1985 debut, I saw Canadian pianist Angela Hewitt with the Winnipeg Symphony Orchestra at the Centennial Concert Hall. Her playing was divine. I don’t remember which pieces were on the concert playbill, but I do recall being mesmerized by the graceful movement as her hands moved over the keyboard. It’sContinue reading “Italian Concerto in F Major, BWV 971, II: Andante”